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Walk in the Forest, ECAL/Sally Jo, 2020
wasserturm(), ECAL/Philipp Klak, 2020
Until I Stop Trying to Get Out of My Skin, ECAL/Robin Bervini, 2020
Doing God’s Work with Other People’s Money, ECAL/Valentin Woeffray, 2020
As we melt, ECAL/Sara Bastai, 2020
All Watched Over by Machine of Loving Grace Ver 1.1b, ECAL/Emidio Battipaglia, 2020
Deep Fog, ECAL/Gaël Corboz, 2020
Fig.1 Nadar, Aerial view of Paris, 1868, Arc de Triomphe
Melanie Bonajo in conversation with Milo Keller
See what is left, ECAL/Philipp Klak, 2020
Fig.3 Electron microscope Siemens, Germany, 1960 - Museum of Science and Technology Belgrade
See me in depth, ECAL/Gohan Keller, 2019
Call for projects
Automated Photography Newsletter

For the past twenty years, many photographers have been integrating images produced autonomously by machines into their work. We witness a paradigm shift in the process of creating photography: From photographic capture in the strict sense to appropriation, automated and computational practices, which respond to a conception of space that is less and less built on the equivalence between the human eye and the machine.

I’m not a Robot

  • Walk in the Forest
  • wasserturm()
  • Until I Stop Trying to Get Out of My Skin
  • Doing God’s Work with Other People’s Money
  • As we melt
  • All Watched Over by Machine of Loving Grace Ver 1.1b
  • Deep Fog
  • Remote sensing from Earth’s orbit
  • Melanie Bonajo
  • See what is left
  • Scanning Electron Microscopy
  • See me in depth
  • Call for projects
  • Newsletter